No matter you are taking a beginner
or professional guitar lessons in Folsom,
you will need to go through a theoretical lesson as well in addition to
practical sessions. Let us explore how a solid grounding in theory, often known
as the mechanics of music can truly help you achieve skills of feeling and
intuition.
Ø Theory provides a road map across the
fretboard
It is one thing knowing the way
to get from one note to the next, but 1st you need to know where to
go. Wandering pointlessly, moving at random between strings and frets is not
likely to produce anything meaningful or musical – unless, of course, perplexed
wandering is the emotion you are making an effort to express.
It is true that some guitar
players learn through years of trial and error, which notes sound good over a
specific chord or chord progression. A lot of wonderful blue guitar players,
for instance, have limited knowledge of scales, but since they are playing over
standards, they progressively gain knowledge of which are the avoid notes and
passing tones and which harmonize and sound good when drawn out.
This is fine for blues, but what
about more intricate progressions that do not conform to a set form? The sole
approach you are going to be capable of navigating the fretboard with any
fluidity and sense of purpose is to know it well. That entails knowing where
relative intervals lie through visual means. Only then you’ll be capable of
expecting what moving from note A to B will sound like. Only then will you have
the harmonic and melodic marker points to connect into meaningful phrases.
Necessary knowledge if you would be
capable of improvising confidently and freely, outside of a small, boxed area
of the fretboard.
Ø Theory offers a shortcut for learning harmony
Again, given an adequate amount
of trial and error time, you will work out, with the aid of your ears, which
notes naturally harmonize with one another. Getting your ears trained to listen
to these harmonies is vital, but why not cut the time learning this in half?
Gaining knowledge of the ways
chords are constructed, for instance will help you connect notes you play in
the solo with any chords being played in the background or vice versa. If the backing
chord is Cmaj7, for instance, you will recognize that Mixolydian as a scale
isn’t a choice, or more particularly that the 7 is an avoid note over major 7th
chords.
It may sound constraining and
dogmatic to say “this note or scale isn’t a choice!” but at times, the dissonance
is so wonderful, and universally agreed to be so that it is safe to assume that
using that combination of notes will sound dissonant or unpleasant to the
majority of ears. Keep in mind that specific dissonances are less challenging
and jarring to the senses as compared to others.
Once again, the theory you will
go through during your guitar lessons in Folsom will help you narrow down such options. The procedure of meaningful
musical investigation is often sparked by a theoretical assumption.
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